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THE TEST

A man worried about his fading relevance agrees to the wrong favor for the wrong stranger, triggering a grimly comic nightmare that turns his wife’s loyalty test into a violent reckoning.?

DEBBIE and JIM arrive in San Francisco to celebrate another year of marriage, which is to say they arrive with a plan and a problem. Debbie suspects Jim’s interest has cooled. Jim suspects the world has moved on without him—his hairline, his job, and his relevance all slipping in quiet agreement. Debbie’s solution is simple enough: a small test of fidelity, arranged with a friend, MAUREEN. Nothing elaborate. Nothing that should spiral. It spirals immediately.

The first day goes surprisingly well. Too well. Debbie tries to pull the plug, but Maureen has gone dark. Meanwhile Jim, en route to what he believes is an innocent errand, is intercepted by VERONICA—beautiful, mournful, and burdened by a problem upstairs. Jim, flattered and foolish, follows. Inside the apartment, things unfold with the logic of a bad dream. A moan from the back room reveals BUDDY, supposedly wheelchair-bound and vegetative. Warm beer is offered. Clothes come off. Jim blacks out. He wakes to a punch in the face and Buddy—now miraculously ambulatory—rifling through Jim’s laptop. The con is revealed, though not yet its size.

Jim runs. He flags a POLICEMAN. He tells his wife nothing. He does everything wrong in the correct order.

Buddy and Veronica stay two steps ahead, feeding Debbie a gentle lie while tightening the screws on Jim. They’ve found his bond fund. They’d like access. They’re prepared to be persuasive. Jim is introduced to his new life—literally—stuffed into Buddy’s wheelchair and dragged through a series of humiliations, including a firearm-free robbery of MR. WU’s Chinese restaurant, where the only thing more dangerous than the food is Mr. Wu’s son. A rescue attempt via the Policeman turns out to be just another layer of the con. Money begins to move. Violence begins to feel inevitable. Debbie finally spots Veronica and tackles her in public, achieving nothing except clarity: this is real, and it’s her fault.

Bodies drop. Loyalties evaporate. Jim, bloodied but briefly resourceful, turns the tables in the only way he can—messily, painfully, and too late to keep things clean. DETECTIVE BASS arrives with Debbie as the situation detonates into a grimly comic reckoning.

Jim survives. Barely. The marriage survives—changed, chastened, and wiser in the narrow sense that comes from learning exactly how little control anyone ever had to begin with. Somewhere in the wreckage, Jim realizes he has, in fact, been tested. Just not by his wife.

Script Excerpt
Written by:
Format:
Screenplay
Budget:
Low
Starring Roles For:
40s age male
40s age woman
A 30s HEAVY type
In the Vein Of:
BOUND
FARGO
Posted:
04/01/2020
Updated:
01/24/2026
Author Bio:
Art D’Alessandro co-founded and ran one of the Southeast’s most highly regarded talent schools for over 22 years. His love of movies has led to nearly 50 screenplays bearing his name as writer, including the produced feature films “The Final Season” (1100 screens, Sean Astin, Powers Boothe, et al), "She Drives Me Crazy" (Lifetime, Winner of CTV's Gemini Award for Best TV Movie, Melinda Clarke), "Mayor Cupcake" (Showtime, Lea Thompson, Zoey Deutch, & Judd Nelson), "Letters to God" (900 screens, Ralph Waite), “All Shook Up” (Sarah Chalke & Frank Gorshin) and the award-winning indie thriller “ZZYZX”, starring Kenny Johnson of The Shield and SWAT fame.

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