Slamdance Screenplay Competition

Slamdance

Contact

5634 Melrose Avenue
Los Angeles, CA 90038
323-466-1786 (voice)
323-466-1784 (fax)

Web:
http://www.slamdance.com
Email:
submissions@slamdance.com

Contact: Clementine Leger , Festival Manager

Report Card

Overall: 3.5 stars3.5 stars3.5 stars3.5 stars (3.7/5.0)
Professionalism: 3 stars3 stars3 stars (3.2/5.0)
Feedback: 3 stars3 stars3 stars (2.9/5.0)
Signficance: 3.5 stars3.5 stars3.5 stars3.5 stars (3.7/5.0)
Report Cards: 42    
Have you entered?
Submit a Report card

Objective

The Slamdance Screenplay Competition is dedicated to discovering and supporting emerging writing talent. We welcome screenplays in every genre, on any topic, from anywhere in the world. A unique feature of the competition is providing constructive feedback for every entrant. In addition to this, we also offer a more intensive coverage service for a supplementary fee. Now in our 23rd year, we have a history of highlighting talented, independent screenwriters and introducing them to the entertainment industry. All of our readers approach scripts differently, but in general we are looking for originality and promise in a work. As an organization, we strive to foster an independent spirit among new writers and our filmmaking community. The Slamdance Screenplay Competition has consistently linked finalists work to management representation, option and production agreements. Show More

Deadline/Entry Fees

Expired. Previous Deadline: 07/27/2020

Notification:

  • QUARTER-FINALISTS ANNOUNCED: September 15, 2020
  • SEMI-FINALISTS ANNOUNCED: September 22, 2020
  • TOP 12 ANNOUNCED: September 29, 2020
  • WGAW AWARDS PARTY: October 8, 2020

Rules

Rules:
  1. Screenplays must not have been previously optioned, purchased or produced.
  2. Screenplays must not have received awards from other competitions over $500.00 at the time of entry.
  3. Screenwriters who have had previous feature screenplays produced and distributed by non-independent means are ineligible.
  4. Screenplays must be in English, formatted in 12-point courier font.
  5. Don't cheat in an effort to keep the page count to 120 or less. We will notice and ask that the extra fee be paid for screenplays in excess of 120 pages. As a standard rule, 1.5" left, 1" right and 1" top and bottom is a good one.
  6. To enter the Slamdance Screenplay Competition you must agree to its Terms and Conditions.
  7. The Slamdance Screenplay Competition Readers' decisions are final.
  8. Teleplays must not have been previously optioned, purchased or produced.
Guidelines:
  1. In the event of multiple writers, list all additional co-writers. Please note Slamdance divides awards equally among co-writers.
  2. Slamdance is not responsible for screenplays or coverage stolen or lost in transit
  3. For screenplays longer than 120 pages, fifteen dollars is added to the regular entry fees.
  4. Cover pages are optional. If you decide to use one, it would ideally include just a title, author name, WGA registration number and Copyright information.

Awards

  • A total of $16,000 in cash prizes will be awarded to the winners this year.
  • The Grand Prize winner will receive $8,000 in cash.
  • The winners of the Feature, Horror, TV Pilot, and Short categories will each receive $2,000 in cash.
  • The top three screenwriters in each category will receive prize packages that include Festival Passes good for all screenings and parties at the next Slamdance Film Festival in Park City, Utah
  • The top three screenwriters in the Feature and Horror category are eligible for membership in the Writers Guild of America’s Independent Writers Caucus.
  • The winning Horror and Feature screenplays will receive $2,500 in legal services from Pierce Law Group, LLP. The top three screenwriters in each category will be included in the upcoming Slamdance Film Festival program which is distributed to industry professionals in Park City and year round.
  • Production companies, studios, top agencies and managers request to read our top scripts each year.

Slamdance

Contact

5634 Melrose Avenue
Los Angeles, CA 90038
323-466-1786 (voice)
323-466-1784 (fax)

Web:
http://www.slamdance.com
Email:
submissions@slamdance.com

Contact: Clementine Leger , Festival Manager

Report Card

Overall: 3.5 stars3.5 stars3.5 stars3.5 stars (3.7/5.0)
Professionalism: 3 stars3 stars3 stars (3.2/5.0)
Feedback: 3 stars3 stars3 stars (2.9/5.0)
Signficance: 3.5 stars3.5 stars3.5 stars3.5 stars (3.7/5.0)
Report Cards: 42    
Have you entered?
Submit a Report card

Contest Comments

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Slamdance Screenplay Competition

Contact

5634 Melrose Avenue
Los Angeles, CA 90038
323-466-1786 (voice)
323-466-1784 (fax)

Web:
http://www.slamdance.com
Email:
submissions@slamdance.com

Contact: Clementine Leger , Festival Manager

Report Card

Overall: 3.5 stars3.5 stars3.5 stars3.5 stars (3.7/5.0)
Professionalism: 3 stars3 stars3 stars (3.2/5.0)
Feedback: 3 stars3 stars3 stars (2.9/5.0)
Signficance: 3.5 stars3.5 stars3.5 stars3.5 stars (3.7/5.0)
Report Cards: 42    
Have you entered?
Submit a Report card

Contest News

Slamdances Announce Horror Screenplay Competition Winner

The finalists of the 3rd Annual Slamdance Horror Screenplay Competition have been announced, with a story about a werewolf hit-man taking first prize. The winning screenplay, A Guilty Moon was written by Brian La Rosa, with story written by Marty Colasuonno and Brian La Rosa. La Rosa is a noted actor and creature movement performer as well as filmmaker and FX coordinator. As well as a writer, Marty Colasuonno is the creator of the web series Psych 101.

On Monday, April 12 at 7:30 pm Slamdance will hold a staged reading presentation of A Guilty Moon at the Meta Theatre on Melrose. The Meta is located at 7801 Melrose Avenue, Los Angeles, CA 90046. Seating is limited. To attend, log on to www.slamdance.com.

The finalists ordered 1st through 5th place are A Guilty Moon by Brian La Rosa, Abra Cadaver by TJ Lynch, Roadside Assistance by David Sakmyster, Manateeth by Rick Utzinger and Inbred by Ryan Gilmore.

"What surprised me most about the 2009 Horror Competition, was the entrants ability to provide a fresh take to just about every sub-genre of Horror imaginable. Sure, there were slasher movies, monster movies, psycological thrillers, and hauntings. But, our comepetitor's were able to lend each category something totally original, while still honoring the conventions and inconograpy inherent to the genre. Our winner, Brian La Rosa, put a brand new spin on the Werewolf mythology, by seemlessly integrating elements of other genres to create a dynamic Horror franchise in the making" says Slamdance Competition manager Brendan Casey.

The success of the Slamdance Screenplay Competition over the past fourteen years and the writers it has discovered continues to attract the attention of industry searching for the best new independent writing talent. Slamdance received over 2,500 submissions for its 2009 Screenplay Competitions, which strives to bring attention to the most talented emerging screenwriters and introduce them to the industry. Previous Competition-winning screenplays that were acquired for production include Nicole Kassell and Stephen Fetcher's The Woodsman, Joshua Marston's Maria Full of Grace and Tim Boughn's Neo Ned and most recently Drool written and directed by Nancy Kissam and executive produced by Slamdance. 2009 Slamdance Screenplay Competition Friends and Sponsors included Lonely Seal Releasing, Norm Lear's Act III Communications, Lonely Seal Releasing, Upload Films, Final Draft, InkTip and Script Magazine.

Slamdance has recently launched the 2010 Screenplay Competition that offers $12,000 in cash prizes, in addition to sponsored prizes. For the first time, the organization has combined its dramatic Feature, Short, Horror, Teleplay and Script Accessible categories into one competition taking place through July 30th. The longer Competition period takes into account increased submissions and the demand for Slamdance's economically priced coverage services.

As a year-round organization, Slamdance serves as a showcase for the discovery of new and emerging talent and is dedicated to the nurturing and development of new independent artists and their cinematic vision. Slamdance lives by its mantra: "By Filmmakers, For Filmmakers." No other festival is fully programmed by filmmakers. Slamdance counts among its alumni many notable writers and directors who first gained notice at the festival, including Christopher Nolan, Marc Forster and Jared Hess. Oren Peli's Paranormal Activity originally acquired from Slamdance has since grossed over $100 million at the Box Office and become Paramount's most profitable film ever.

Updated: 03/24/2010

Slamdance Screenplay Competition

Contact

5634 Melrose Avenue
Los Angeles, CA 90038
323-466-1786 (voice)
323-466-1784 (fax)

Web:
http://www.slamdance.com
Email:
submissions@slamdance.com

Contact: Clementine Leger , Festival Manager

Report Card

Overall: 3.5 stars3.5 stars3.5 stars3.5 stars (3.7/5.0)
Professionalism: 3 stars3 stars3 stars (3.2/5.0)
Feedback: 3 stars3 stars3 stars (2.9/5.0)
Signficance: 3.5 stars3.5 stars3.5 stars3.5 stars (3.7/5.0)
Report Cards: 42    
Have you entered?
Submit a Report card

Submit Report Card

You must login to read or submit report cards.

First-time user? Register now to receive FREE email contest updates, news, results, deadline reminders and more. Rest assured, information submitted here is held in strict confidence. MovieBytes never sells or in any way distributes email names or addresses. We promise!