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Canadian Short Screenplay Competition

Canadian Short

Contact

Toronto, ON

Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com

Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN

Report Card

Overall: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.6/5.0)
Professionalism: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.6/5.0)
Feedback: 4 stars4 stars4 stars4 stars (4.2/5.0)
Signficance: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.3/5.0)
Report Cards: 9    
Have you entered?
Submit a Report card

Objective

The Canadian Short Screenplay Competition (CSSC) was established in 2008 by International Emmy Award-nominated Producer, Screenwriter and Showrunner, David Cormican. The festival was considered the top destination script contest for short film screenplays and produced five winning screenplays into short films which went on to premiere at festivals such as Cannes, Worldwide Short Film Festival, among countless others up until the last awarded edition of the competition in 2013. The CSSC is re-launching in 2025 for it’s 6th edition to award the next winner of the Writers’ Block Crystal Top Prize in partnership with the Yorkton Film Festival.

Deadline/Entry Fees

Deadline Date
Days till:
Entry Fee
Early Bird January 26, 2025 $50 USD
Regular February 23, 2025 $55 USD
Final March 23, 2025
9
$60 USD
I-Missed-The-Deadline April 13, 2025
30
$65 USD

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Notification: May 05, 2025

Eligibility

Open to writers of any nationality from any country worldwide. Screenplays of any genre must be written in industry standard screenplay format; not more than 15 pages in length

Rules

  1. Entry into this competition confirms each Applicant’s acceptance of these rules and regulations and the terms as set forth on this page.
  2. The Canadian Short Screenplay Competition (CSSC) is open to writers of any nationality from any country worldwide.
  3. Multiple authorship screenplays are acceptable.
  4. The entered screenplay must not have been previously optioned, sold or produced and the non-exclusive publishing rights and all other rights must remain available. The submitted screenplay must be wholly original work, not based on or adapted from any other works not in the public domain and must be the sole property of the Applicant(s).
  5. If the submitted screenplay becomes optioned or purchased between the time of submission and the end of the judging period, that screenplay will no longer be eligible (entry fees are non-returnable).
  6. Screenplays must be: written in industry standard screenplay format; not more than 15 pages in length; numbered and without the inclusion of headings or footnotes on pages; and written in the English language (ie. must not contain more than 5% foreign language dialogue(s), of which any foreign language included within the screenplay must be subtitled/translated into English using dual dialogue at each instance of use). Failure to adhere to the above will mean that the screenplay may be disqualified (entry fees are non-returnable).
  7. The screenplay must be no more than fifteen (15) minutes screen time (max. 15 pages).
  8. Screenplays of any genre will be considered and must be the original work of the Applicant(s) submitting such. Where the screenplay is based upon another piece of work it is the sole responsibility of the Applicant(s) to demonstrate the copyright if in the public domain or that the Applicant(s) has obtained permission/copyright clearance from the original author of the adapted work(s). Proof of chain of title will be required before any script can be announced as a top three winning script as part of the competition.
  9. Screenplays based upon another work must be clearly marked as such.
  10. Screenplays must be submitted by the deadline and all entries must be submitted through FilmFreeway.com
  11. Submitted screenplays will only be accepted in .pdf format.
  12. Submissions must include a title page that clearly indicates the title, the writer’s name, address, phone number and email address.
  13. No additional materials should be attached to the screenplay.
  14. Entering the competition constitutes permission to use the winners’ name(s) and licenses for publicity and promotions without any additional compensation.
  15. The winners will be selected by a panel of industry judges. The decision of the judges and the CSSC will be final and no appeals, correspondence nor discussion will be entered into.
  16. Prizes will be awarded on an as is basis. In the event of multiple authorship on a selected winning entry, the prize will be awarded to the applicant named on the corresponding FilmFreeway account.
  17. No cash alternatives to any of the prizes or additional payments shall be made.
  18. All entrants acknowledge that neither the judges nor the sponsors or any partners mentioned here on this site or in any other publication will be held responsible for any and all disputes between you and the CSSC.
  19. All entrants acknowledge that the final top three winners will be expected to make a standard form of assignment of all rights in and to the submitted work including a waiver of all so-called “moral rights” to a production company of the CSSC’s election which will have the right, but not the obligation, to produce the winning screenplay.
  20. The CSSC is known for producing short films from amongst the winning entries received by Applicants. While reasonable commercial efforts will be made to produce one of the top three winning screenplays from this competition and round of Applicant submitted screenplays, the CSSC is under no obligation to do so and reserves all rights to make such a decision in its absolute discretion, even if such a decision is made following any announcement or commencement of production on a winning screenplay.
  21. By entering this competition all Applicants understand their script may be selected by the judges as a winning entry. In the event an Applicant’s script is selected as a top 3 winner, each Applicant understands that they may be called upon by the CSSC to perform rewrites and revisions to their script without further remuneration, in a timely manner, if deemed necessary and requested by the CSSC and/or their designated Production Company and/or Producer.
  22. The CSSC reserves the right to reject any entry for any reason at any time at their absolute discretion.
  23. The CSSC reserves the right to appoint any production company, director, producer, cast, crew or other personnel, including additional screenwriter(s), as may be deemed necessary to further develop and/or produce the winning screenplay(s).
  24. Once submitted, no substitution or new drafts and/or corrected pages for screenplay entries will be accepted from Applicants for judging under any circumstance.
  25. Multiple entries by the same author(s) will be accepted, provided they are all individual entries and separately submitted through FilmFreeway.
  26. Each Applicant indemnifies the CSSC, its affiliates, sponsors and judges of and from any and all claims, loss or liability that may be asserted against you or incurred by you or any associates, at any time in connection with your screenplay and/or submitted material.
  27. The burden of obtaining copyright, or otherwise protecting any proprietary interests in the material, rests entirely with the Applicant.
  28. As a courtesy, notification of competition results will be made via FilmFreeway and the CSSC website and/or social media channels in a timely manner.
  29. The Early Bird deadline is January 26, 2025 at 11:59PM EST. The Early Bird standard fee is USD $50.00. The Regular deadline is February 23, 2025 at 11:59PM EST. The Regular standard fee is USD $55.00. Final deadline is March 23, 2025 at 11:59PM EST. The Final standard fee is USD $60.00. The I-Missed-The-Deadline deadline is April 13, 2025 at 11:59PM EST. The I-Missed-The-Deadline standard fee is USD $65.00.
  30. Submissions made after the respective deadline(s) are subject to the corresponding fee with the next appropriate deadline that has not yet passed. Submissions made or received after April 13, 2025 at 11:59PM EST will be disqualified. All entries must be received on or prior to the corresponding deadline in order to be eligible for the reduced rate(s). The CSSC and/or FilmFreeway will not be responsible for lost, late, missing, incomplete or misdirected submissions. Late or incomplete submissions will be disqualified (entry fee is not returnable).
  31. The CSSC reserves the right to amend these rules and regulations at any time without notice.

Awards

In accordance with the terms and conditions of the CSSC, the organization will select one, or more, of the top three winning screenplays to be produced by a production company. Any resulting short film will be premiered at film festivals worldwide and made available to global audiences through international distributor Screen Wizards Pictures.

BEST IN FEST — GRAND PRIZE
The best overall screenplay deemed by the panel of competition judges will be awarded the 'Best in Fest' title and the Writers' Block Crystal Award with an option and purchase agreement for One Thousand Canadian Dollars (CAD $1,000.00). FREE 1YR MEMBERSHIP to WIFT+ ($199.00 Value).

GOLDEN CINEMA — FIRST RUNNER-UP
The 1st runner-up deemed by the panel of competition judges will be awarded the 'Golden Cinema' title and the Writers' Block Crystal Award with an option and purchase agreement for Five Hundred Canadian Dollars (CAD $500). FREE 1YR MEMBERSHIP to WIFT+ ($199.00 Value).

SILVER SCREEN — SECOND RUNNER-UP
The 2nd place prize deemed by the panel of competition judges will be awarded the 'Silver Screen' title and the Writers' Block Crystal Award with an option and purchase agreement for Two Hundred and Fifty Canadian Dollars (CAD $250). FREE 1YR MEMBERSHIP to WIFT+ ($199.00 Value).

THE TOP 13
The subsequent top 10 screenplays will be awarded as 'Finalists' with additional prize packs (TBA).

Canadian Short

Contact

Toronto, ON

Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com

Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN

Report Card

Overall: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.6/5.0)
Professionalism: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.6/5.0)
Feedback: 4 stars4 stars4 stars4 stars (4.2/5.0)
Signficance: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.3/5.0)
Report Cards: 9    
Have you entered?
Submit a Report card

Contest Comments

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Canadian Short Screenplay Competition

Contact

Toronto, ON

Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com

Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN

Report Card

Overall: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.6/5.0)
Professionalism: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.6/5.0)
Feedback: 4 stars4 stars4 stars4 stars (4.2/5.0)
Signficance: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.3/5.0)
Report Cards: 9    
Have you entered?
Submit a Report card

Contest News

MovieBytes Interview:
Screenwriter Neil Graham

An interview with screenwriter Neil Graham regarding the Canadian Short Writing Competition.

Q: What's the title of the script you entered in this contest, and what's it about?

A: The screenplay is called 'Something Pointless'.

It's about the idea that even unseen connections can bring light to even the darkest of days. It is about how your actions can bring purpose to other people - even if those actions seem pointless to you. It is about the unseen effects of our actions.

Q: What made you enter this particular contest? Have you entered any other contests with this script? If so, how did you do?

A: It was a fairly random decision to enter this contest! I was searching the internet looking for companies who accepted short screenplay submissions and found the CSSC web-site.

I have entered very few writing contests: but this one offered the chance to have the winning script made into a short film. So I decided to take a punt as the contest was open to international submissions. A lucky move on my behalf!

Q: Were you satisfied with the administration of the contest? Did they meet their deadlines? Did you receive all the awards that were promised?

A: Yes, it was a very well ran contest. All deadlines were published and met: and there was regular communication from the organisers. In the final rounds there was a nice sense of suspense built up to see if you made the cut.

All prizes were received and the Writer's Block Crystal now sits on my bookcase in London. The script is now in development and will hopefully go into production in 2011. Again, the producers keep in touch and keep me informed about the development process. Everything about this contests has an air of professionalism about it. It really feels that the producers have my interests at heart and really want to make the best film they can from the script.

Q: How long did it take you to write the script? Did you write an outline beforehand? How many drafts did you write?

A: Writing it was straightforward and did not take very long. The first draft probably took about 30 minutes. It was written in one sitting back in 2006 and has sat in the drawer for a couple of years. I did not write an outline: being a short script it is easy to keep the structure in your head.

The version that won the contest however, was a 7th or 8th draft. Although, the core idea and structure did not change much from the first draft, there was a fair amount of polishing performed. Re-writing largely involved replacing dialogue with action and removing as much as possible to ensure a certain amount of ambiguity remained in the story. I did not want the core philosophy to be too black and white: life is more complicated than that!

Q: What kind of software did you use to write the script, if any? What other kinds of writing software do you use?

A: I always write the first draft using pen and paper. When I have done the creative bit I use Final Draft. I find it easy to use and like the way it takes care of the formatting and presentation so you do not have to worry about it.

Q: Do you write every day? How many hours per day?

A: No. I don't really consider myself as a writer. I work in a bank! I do enjoy writing a lot though and usually write one or two scripts a year. I tend to write in intense bursts.

If I get an idea I want to write about I tend to focus on it until I have at least a first draft. I once wrote a full length screenplay in one weekend: so I can work intensely if required.

Q: Do you ever get writer's block? If so, how do you deal with that?

A: No, but I only ever write about things I find interesting: so it is not something I really have to deal with. If I don't feel like writing then I don't write.

Q: What's your background? Have you written any other screenplays or television scripts?

A: I live and work in London UK. I have been a huge film fan since I was a child. And still spend far too much time watching and reading about film. I have written and directed seven short films and have had two (unproduced) feature film commissions as a writer.

In total I have written seven features, a television series and about twenty shorts in total. Most of these I would not want anybody to see - particularly the early stuff!

However, it's not an easy profession in which to earn a living. So these days, screenwriting is more of a hobby for me.

Q: Do you live in Los Angeles? If not, do you have any plans to move there?

A: No, I live in London UK. I don't plan to move to LA. There are not enough pavements in LA. I need to live somewhere were crossing the road on foot is less of an adventure.

Q: What's next? Are you working on a new script?

A: Not sure what's next. I will wait and see what happens. I am really looking forward to attending the premiere of Something Pointless. It will give me an excuse to dig out the tuxedo.

I am not working on anything specific at the moment.

Posted Friday, December 31, 2010

Canadian Short Screenplay Competition

Contact

Toronto, ON

Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com

Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN

Report Card

Overall: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.6/5.0)
Professionalism: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.6/5.0)
Feedback: 4 stars4 stars4 stars4 stars (4.2/5.0)
Signficance: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.3/5.0)
Report Cards: 9    
Have you entered?
Submit a Report card

Submit Report Card

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