Canadian Short Screenplay Competition
Canadian Short

Contact
Toronto, ON
Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com
Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN
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Overall: |
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(4.6/5.0) |
Professionalism: |
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(4.6/5.0) |
Feedback: |
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(4.2/5.0) |
Signficance: |
![]() ![]() ![]() ![]() ![]() |
(4.3/5.0) |
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Objective
The Canadian Short Screenplay Competition (CSSC) was established in 2008 by International Emmy Award-nominated Producer, Screenwriter and Showrunner, David Cormican. The festival was considered the top destination script contest for short film screenplays and produced five winning screenplays into short films which went on to premiere at festivals such as Cannes, Worldwide Short Film Festival, among countless others up until the last awarded edition of the competition in 2013. The CSSC is re-launching in 2025 for it’s 6th edition to award the next winner of the Writers’ Block Crystal Top Prize in partnership with the Yorkton Film Festival.
Deadline/Entry Fees
Deadline | Date Days till: |
Entry Fee |
---|---|---|
Early Bird | January 26, 2025 | $50 USD |
Regular | February 23, 2025 | $55 USD |
Final | March 23, 2025 9 |
$60 USD |
I-Missed-The-Deadline | April 13, 2025 30 |
$65 USD |
WinningScripts Pro $15 Off Coupon
Notification: May 05, 2025
Eligibility
Open to writers of any nationality from any country worldwide. Screenplays of any genre must be written in industry standard screenplay format; not more than 15 pages in lengthRules
- Entry into this competition confirms each Applicant’s acceptance of these rules and regulations and the terms as set forth on this page.
- The Canadian Short Screenplay Competition (CSSC) is open to writers of any nationality from any country worldwide.
- Multiple authorship screenplays are acceptable.
- The entered screenplay must not have been previously optioned, sold or produced and the non-exclusive publishing rights and all other rights must remain available. The submitted screenplay must be wholly original work, not based on or adapted from any other works not in the public domain and must be the sole property of the Applicant(s).
- If the submitted screenplay becomes optioned or purchased between the time of submission and the end of the judging period, that screenplay will no longer be eligible (entry fees are non-returnable).
- Screenplays must be: written in industry standard screenplay format; not more than 15 pages in length; numbered and without the inclusion of headings or footnotes on pages; and written in the English language (ie. must not contain more than 5% foreign language dialogue(s), of which any foreign language included within the screenplay must be subtitled/translated into English using dual dialogue at each instance of use). Failure to adhere to the above will mean that the screenplay may be disqualified (entry fees are non-returnable).
- The screenplay must be no more than fifteen (15) minutes screen time (max. 15 pages).
- Screenplays of any genre will be considered and must be the original work of the Applicant(s) submitting such. Where the screenplay is based upon another piece of work it is the sole responsibility of the Applicant(s) to demonstrate the copyright if in the public domain or that the Applicant(s) has obtained permission/copyright clearance from the original author of the adapted work(s). Proof of chain of title will be required before any script can be announced as a top three winning script as part of the competition.
- Screenplays based upon another work must be clearly marked as such.
- Screenplays must be submitted by the deadline and all entries must be submitted through FilmFreeway.com
- Submitted screenplays will only be accepted in .pdf format.
- Submissions must include a title page that clearly indicates the title, the writer’s name, address, phone number and email address.
- No additional materials should be attached to the screenplay.
- Entering the competition constitutes permission to use the winners’ name(s) and licenses for publicity and promotions without any additional compensation.
- The winners will be selected by a panel of industry judges. The decision of the judges and the CSSC will be final and no appeals, correspondence nor discussion will be entered into.
- Prizes will be awarded on an as is basis. In the event of multiple authorship on a selected winning entry, the prize will be awarded to the applicant named on the corresponding FilmFreeway account.
- No cash alternatives to any of the prizes or additional payments shall be made.
- All entrants acknowledge that neither the judges nor the sponsors or any partners mentioned here on this site or in any other publication will be held responsible for any and all disputes between you and the CSSC.
- All entrants acknowledge that the final top three winners will be expected to make a standard form of assignment of all rights in and to the submitted work including a waiver of all so-called “moral rights” to a production company of the CSSC’s election which will have the right, but not the obligation, to produce the winning screenplay.
- The CSSC is known for producing short films from amongst the winning entries received by Applicants. While reasonable commercial efforts will be made to produce one of the top three winning screenplays from this competition and round of Applicant submitted screenplays, the CSSC is under no obligation to do so and reserves all rights to make such a decision in its absolute discretion, even if such a decision is made following any announcement or commencement of production on a winning screenplay.
- By entering this competition all Applicants understand their script may be selected by the judges as a winning entry. In the event an Applicant’s script is selected as a top 3 winner, each Applicant understands that they may be called upon by the CSSC to perform rewrites and revisions to their script without further remuneration, in a timely manner, if deemed necessary and requested by the CSSC and/or their designated Production Company and/or Producer.
- The CSSC reserves the right to reject any entry for any reason at any time at their absolute discretion.
- The CSSC reserves the right to appoint any production company, director, producer, cast, crew or other personnel, including additional screenwriter(s), as may be deemed necessary to further develop and/or produce the winning screenplay(s).
- Once submitted, no substitution or new drafts and/or corrected pages for screenplay entries will be accepted from Applicants for judging under any circumstance.
- Multiple entries by the same author(s) will be accepted, provided they are all individual entries and separately submitted through FilmFreeway.
- Each Applicant indemnifies the CSSC, its affiliates, sponsors and judges of and from any and all claims, loss or liability that may be asserted against you or incurred by you or any associates, at any time in connection with your screenplay and/or submitted material.
- The burden of obtaining copyright, or otherwise protecting any proprietary interests in the material, rests entirely with the Applicant.
- As a courtesy, notification of competition results will be made via FilmFreeway and the CSSC website and/or social media channels in a timely manner.
- The Early Bird deadline is January 26, 2025 at 11:59PM EST. The Early Bird standard fee is USD $50.00. The Regular deadline is February 23, 2025 at 11:59PM EST. The Regular standard fee is USD $55.00. Final deadline is March 23, 2025 at 11:59PM EST. The Final standard fee is USD $60.00. The I-Missed-The-Deadline deadline is April 13, 2025 at 11:59PM EST. The I-Missed-The-Deadline standard fee is USD $65.00.
- Submissions made after the respective deadline(s) are subject to the corresponding fee with the next appropriate deadline that has not yet passed. Submissions made or received after April 13, 2025 at 11:59PM EST will be disqualified. All entries must be received on or prior to the corresponding deadline in order to be eligible for the reduced rate(s). The CSSC and/or FilmFreeway will not be responsible for lost, late, missing, incomplete or misdirected submissions. Late or incomplete submissions will be disqualified (entry fee is not returnable).
- The CSSC reserves the right to amend these rules and regulations at any time without notice.
Awards
In accordance with the terms and conditions of the CSSC, the organization will select one, or more, of the top three winning screenplays to be produced by a production company. Any resulting short film will be premiered at film festivals worldwide and made available to global audiences through international distributor Screen Wizards Pictures.
BEST IN FEST — GRAND PRIZE
The best overall screenplay deemed by the panel of competition judges will be awarded the 'Best in Fest' title and the Writers' Block Crystal Award with an option and purchase agreement for One Thousand Canadian Dollars (CAD $1,000.00). FREE 1YR MEMBERSHIP to WIFT+ ($199.00 Value).
GOLDEN CINEMA — FIRST RUNNER-UP
The 1st runner-up deemed by the panel of competition judges will be awarded the 'Golden Cinema' title and the Writers' Block Crystal Award with an option and purchase agreement for Five Hundred Canadian Dollars (CAD $500). FREE 1YR MEMBERSHIP to WIFT+ ($199.00 Value).
SILVER SCREEN — SECOND RUNNER-UP
The 2nd place prize deemed by the panel of competition judges will be awarded the 'Silver Screen' title and the Writers' Block Crystal Award with an option and purchase agreement for Two Hundred and Fifty Canadian Dollars (CAD $250). FREE 1YR MEMBERSHIP to WIFT+ ($199.00 Value).
THE TOP 13
The subsequent top 10 screenplays will be awarded as 'Finalists' with additional prize packs (TBA).
Canadian Short

Contact
Toronto, ON
Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com
Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN
Report Card |
||
Overall: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Professionalism: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Feedback: |
![]() ![]() ![]() ![]() |
(4.2/5.0) |
Signficance: |
![]() ![]() ![]() ![]() ![]() |
(4.3/5.0) |
Report Cards: |
|
|
Have you entered?
Submit a Report card
|
Categories
Contest Comments
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Canadian Short Screenplay Competition

Contact
Toronto, ON
Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com
Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN
Report Card |
||
Overall: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Professionalism: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Feedback: |
![]() ![]() ![]() ![]() |
(4.2/5.0) |
Signficance: |
![]() ![]() ![]() ![]() ![]() |
(4.3/5.0) |
Report Cards: |
|
|
Have you entered?
Submit a Report card
|
Categories
Contest News
MovieBytes Interview: DAVID CORMICAN
An interview with DAVID CORMICAN regarding the Canadian Short Writing Competition.
Q: Who sponsors this contest, and what is their background in the industry? When was the contest founded?A: The Canadian Short Screenplay Competition (CSSC) is a short film script contest that was founded in 2008 by myself under my production shingle Year of the Skunk Productions. I'm a producer and actor, and I have also developed a bit of a reputation for my story writing/editing abilities. I also am the head of development for Minds Eye Entertainment, one of Canada's leading producers of feature length films. The CSSC is fortunate to be sponsored by many fine organizations, which can all be found by visiting our website under the sponsors tab: http://www.screenplay-contest.com/about-2/sponsors/
Q: What role do you play personally in the adminstration of the contest?A: A pretty big one. Probably I'm too involved. But I guess I have control issues.
In addition to founding the competition, I read all of the short film scripts that are submitted each year. I know we have a team of readers, but I'm too paranoid that something will slip between the cracks. So, I read all of the scripts, I am one of the 13 judges, as well as the producer of the winning screenplay / film. I also tend to answer a lot of our email inquiries, especially the more difficult/involved questions we receive from screenwriters. I try to make myself available to writers to help answer their questions or offer advice.
I also oversee the website and branding along with all the media and PR, in addition to drumming up our sponsorships, but those are the niggly bits. I'd rather be working with the writers and producing more than just one script each year out of the competition.
A: YES! Our very script we produced was Gordon Pengilly's 'SEEING IN THE DARK'. And we are in pre-production right now on Daniel Audet's 'RUSTED PYRE', which was a part of the National Screen Institute's Drama Prize program as a result of it's placement in the CSSC. We also just received some funding from Bravo!FACT to produce Surita Parmar's 2nd place short film script from last year's screenplay contest, 'MINUS LARA'. And I hope to be in production next year on both Neil Graham's incredibly poignant and touching script 'SOMETHING POINTLESS' and David Carey's 'NO MAN'S LAND', a World War I set short film that reminds me of the book 'All Quiet on the Western Front'.
One other thing we do, which I am really proud of, is we offer all of our finalists an non-exclusive ePublishing agreement, whereby we publish copies of their short film scripts so that other writers can see what it takes to both place and win in a script contest. AND the best part, is that the writers get paid royalties for this! And at the end of the day, that is what I am all about, getting screenwriters, exposure, paid and noticed!
A: The early rounds of screenplays are judged by a team of interns and myself. All of our interns are typically film school students or grads from all across Canada. The good news, is that my eyes go over every script too, so there will be no golden needles missed into the final rounds.
Once we get down to the final round of judging and into the top 13 as well, we crank it up a notch and bring in some heavy hitters, as well as some emerging artists. They range from actors, writers, former CSSC winners to producers and film school grads, directors to agents, broadcasters and distributors. A nice cross-section from the industry of folks who are well versed in the art of screenplays and short film scripts.
Last year's 13 industry judges included:
David Carey, Writer and 2nd place winner of 2008 CSSC
Anna Tsouliagiannis, Broadcast Executive and Programmer — Movieola, the Short Film Channel
Josh Strait, Actor and Song Writer
Joanne McDonald, Broadcast Executive — SCN
Stephen Huszar, Producer — Hulo Films
Dillon Andrews, CSSC Social Media Coordinator & Web Entrepreneur
Michael Bien, Producer
Glenn Cockburn & Sheron Scherba, Agents — Meridian Artists
Tyler Ward, Actor
Shaista Ahmed, Series Creator
Laurence Cohen, Director
Jeff Boulton, Producer/Director — Dante Media Group
David Cormican, CSSC Founder & Producer
A: From fade in to fade to black. The interns have it easy, as they don't read all of the scripts. They are only responsible for a selection of all of the entries. Me on the other hand, I read all of them from front to back.
Q: Are the judges looking for any specific type of script? Are scripts of a certain genre more likely to do well?A: My judges have a score card that they are ranking scripts on; however, at the end of the day I ask them to pick what turns them on. I try to surround myself with greatness and I ask the judges to pick out what they think will make a GREAT short film from the crop of screenplays they are asked to rank. In terms of the genre, it ranges from comedies to mockumentaries, to great and epic drama to tragedy and horror/thriller. Write from your heart and passion and that will transpire and bleed in to the read.
Q: What do you do promote your winning writers, and to publicize their scripts?A: All of the final round scripts get read by some of the top literary agents in Canada. We also profile all of our final 13 on our website and as well as on our Facebook and Twitter accounts on a regular basis.
We also publish press releases throughout the year with key annoucements.
We're pretty active in the social media sphere of things, so we are all about building a writer's online profile. Ideally they will also be in a position to leverage off that extra push/publicity we give them.
Another avenue we have explored this year is that we offered one of the top 13 writers an opportunity to become our #WW Laureate. For those of you not familiar with twitter, #WW stands for Writer Wednesday. We invited two time 5th place finalist Carlynne Ciceri to become our very first #WW Laureate, where Carolynne posts weekly and muses on the topic of writing from the emerging writer's perspective. This has been a VERY effective tool for Carolynne's career and has brought her a fan base that is growing with each week and every new post on our blog.
Also, we often get requests for interviews from our winners and production companies often request copies of the winning and finalists scripts for talent scouting.
Also, as I mentioned earlier, we have published eBooks of some of the finalist scripts along with the winning entries, which is another way of validating their status as bonafide professional writers!
And one of the coolest things we have done, is partnered with the Yorkton Film Festival, which is the oldest film festival in all of North America. We announce our winner as part of the Golden Sheaf Awards gala, but more importantly, ALL of our top 13 finalists are invited and accredited to attend the film festival, which gives them unparalleled access to Canadian broadcasters, distributors, other filmmakers and funding agencies, in addition to a chance to attend the many networking events and industry panels and information sessions.
A: We stand behind our mantra: Short. Is. Better. Look at Surita's screenplay 'MINUS LARA' and what she was able to accomplish in only 2 pages. She placed second and is now in pre-production on her script with the support of Bravo!FACT, a major Canadian commissioner of short films.
Other tips:
Ensure proper formatting within your scripts, eliminate ALL spelling errors (there is no excuse for typos in a 15 page screenplay), and above all... enter the contest. Short film scripts that go no further than the screen on your computer or the desk of your work station are of no value to you or your career. Get your work out there. Be seen, be read, and if you place in the CSSC, be published, and if you win, be produced and make waves in your career as a professional screen writer!
Posted Sunday, October 3, 2010
Canadian Short Screenplay Competition

Contact
Toronto, ON
Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com
Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN
Report Card |
||
Overall: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Professionalism: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Feedback: |
![]() ![]() ![]() ![]() |
(4.2/5.0) |
Signficance: |
![]() ![]() ![]() ![]() ![]() |
(4.3/5.0) |
Report Cards: |
|
|
Have you entered?
Submit a Report card
|
Categories
Submit Report Card
You must login to read or submit report cards.
First-time user? Register now to receive FREE email contest updates, news, results, deadline reminders and more. Rest assured, information submitted here is held in strict confidence. MovieBytes never sells or in any way distributes email names or addresses. We promise!