Canadian Short Screenplay Competition
Canadian Short

Contact
Toronto, ON
Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com
Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN
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Overall: |
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(4.6/5.0) |
Professionalism: |
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(4.6/5.0) |
Feedback: |
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(4.2/5.0) |
Signficance: |
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(4.3/5.0) |
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Objective
The Canadian Short Screenplay Competition (CSSC) was established in 2008 by International Emmy Award-nominated Producer, Screenwriter and Showrunner, David Cormican. The festival was considered the top destination script contest for short film screenplays and produced five winning screenplays into short films which went on to premiere at festivals such as Cannes, Worldwide Short Film Festival, among countless others up until the last awarded edition of the competition in 2013. The CSSC is re-launching in 2025 for it’s 6th edition to award the next winner of the Writers’ Block Crystal Top Prize in partnership with the Yorkton Film Festival.
Deadline/Entry Fees
Deadline | Date Days till: |
Entry Fee |
---|---|---|
Early Bird | January 26, 2025 | $50 USD |
Regular | February 23, 2025 | $55 USD |
Final | March 23, 2025 9 |
$60 USD |
I-Missed-The-Deadline | April 13, 2025 30 |
$65 USD |
WinningScripts Pro $15 Off Coupon
Notification: May 05, 2025
Eligibility
Open to writers of any nationality from any country worldwide. Screenplays of any genre must be written in industry standard screenplay format; not more than 15 pages in lengthRules
- Entry into this competition confirms each Applicant’s acceptance of these rules and regulations and the terms as set forth on this page.
- The Canadian Short Screenplay Competition (CSSC) is open to writers of any nationality from any country worldwide.
- Multiple authorship screenplays are acceptable.
- The entered screenplay must not have been previously optioned, sold or produced and the non-exclusive publishing rights and all other rights must remain available. The submitted screenplay must be wholly original work, not based on or adapted from any other works not in the public domain and must be the sole property of the Applicant(s).
- If the submitted screenplay becomes optioned or purchased between the time of submission and the end of the judging period, that screenplay will no longer be eligible (entry fees are non-returnable).
- Screenplays must be: written in industry standard screenplay format; not more than 15 pages in length; numbered and without the inclusion of headings or footnotes on pages; and written in the English language (ie. must not contain more than 5% foreign language dialogue(s), of which any foreign language included within the screenplay must be subtitled/translated into English using dual dialogue at each instance of use). Failure to adhere to the above will mean that the screenplay may be disqualified (entry fees are non-returnable).
- The screenplay must be no more than fifteen (15) minutes screen time (max. 15 pages).
- Screenplays of any genre will be considered and must be the original work of the Applicant(s) submitting such. Where the screenplay is based upon another piece of work it is the sole responsibility of the Applicant(s) to demonstrate the copyright if in the public domain or that the Applicant(s) has obtained permission/copyright clearance from the original author of the adapted work(s). Proof of chain of title will be required before any script can be announced as a top three winning script as part of the competition.
- Screenplays based upon another work must be clearly marked as such.
- Screenplays must be submitted by the deadline and all entries must be submitted through FilmFreeway.com
- Submitted screenplays will only be accepted in .pdf format.
- Submissions must include a title page that clearly indicates the title, the writer’s name, address, phone number and email address.
- No additional materials should be attached to the screenplay.
- Entering the competition constitutes permission to use the winners’ name(s) and licenses for publicity and promotions without any additional compensation.
- The winners will be selected by a panel of industry judges. The decision of the judges and the CSSC will be final and no appeals, correspondence nor discussion will be entered into.
- Prizes will be awarded on an as is basis. In the event of multiple authorship on a selected winning entry, the prize will be awarded to the applicant named on the corresponding FilmFreeway account.
- No cash alternatives to any of the prizes or additional payments shall be made.
- All entrants acknowledge that neither the judges nor the sponsors or any partners mentioned here on this site or in any other publication will be held responsible for any and all disputes between you and the CSSC.
- All entrants acknowledge that the final top three winners will be expected to make a standard form of assignment of all rights in and to the submitted work including a waiver of all so-called “moral rights” to a production company of the CSSC’s election which will have the right, but not the obligation, to produce the winning screenplay.
- The CSSC is known for producing short films from amongst the winning entries received by Applicants. While reasonable commercial efforts will be made to produce one of the top three winning screenplays from this competition and round of Applicant submitted screenplays, the CSSC is under no obligation to do so and reserves all rights to make such a decision in its absolute discretion, even if such a decision is made following any announcement or commencement of production on a winning screenplay.
- By entering this competition all Applicants understand their script may be selected by the judges as a winning entry. In the event an Applicant’s script is selected as a top 3 winner, each Applicant understands that they may be called upon by the CSSC to perform rewrites and revisions to their script without further remuneration, in a timely manner, if deemed necessary and requested by the CSSC and/or their designated Production Company and/or Producer.
- The CSSC reserves the right to reject any entry for any reason at any time at their absolute discretion.
- The CSSC reserves the right to appoint any production company, director, producer, cast, crew or other personnel, including additional screenwriter(s), as may be deemed necessary to further develop and/or produce the winning screenplay(s).
- Once submitted, no substitution or new drafts and/or corrected pages for screenplay entries will be accepted from Applicants for judging under any circumstance.
- Multiple entries by the same author(s) will be accepted, provided they are all individual entries and separately submitted through FilmFreeway.
- Each Applicant indemnifies the CSSC, its affiliates, sponsors and judges of and from any and all claims, loss or liability that may be asserted against you or incurred by you or any associates, at any time in connection with your screenplay and/or submitted material.
- The burden of obtaining copyright, or otherwise protecting any proprietary interests in the material, rests entirely with the Applicant.
- As a courtesy, notification of competition results will be made via FilmFreeway and the CSSC website and/or social media channels in a timely manner.
- The Early Bird deadline is January 26, 2025 at 11:59PM EST. The Early Bird standard fee is USD $50.00. The Regular deadline is February 23, 2025 at 11:59PM EST. The Regular standard fee is USD $55.00. Final deadline is March 23, 2025 at 11:59PM EST. The Final standard fee is USD $60.00. The I-Missed-The-Deadline deadline is April 13, 2025 at 11:59PM EST. The I-Missed-The-Deadline standard fee is USD $65.00.
- Submissions made after the respective deadline(s) are subject to the corresponding fee with the next appropriate deadline that has not yet passed. Submissions made or received after April 13, 2025 at 11:59PM EST will be disqualified. All entries must be received on or prior to the corresponding deadline in order to be eligible for the reduced rate(s). The CSSC and/or FilmFreeway will not be responsible for lost, late, missing, incomplete or misdirected submissions. Late or incomplete submissions will be disqualified (entry fee is not returnable).
- The CSSC reserves the right to amend these rules and regulations at any time without notice.
Awards
In accordance with the terms and conditions of the CSSC, the organization will select one, or more, of the top three winning screenplays to be produced by a production company. Any resulting short film will be premiered at film festivals worldwide and made available to global audiences through international distributor Screen Wizards Pictures.
BEST IN FEST — GRAND PRIZE
The best overall screenplay deemed by the panel of competition judges will be awarded the 'Best in Fest' title and the Writers' Block Crystal Award with an option and purchase agreement for One Thousand Canadian Dollars (CAD $1,000.00). FREE 1YR MEMBERSHIP to WIFT+ ($199.00 Value).
GOLDEN CINEMA — FIRST RUNNER-UP
The 1st runner-up deemed by the panel of competition judges will be awarded the 'Golden Cinema' title and the Writers' Block Crystal Award with an option and purchase agreement for Five Hundred Canadian Dollars (CAD $500). FREE 1YR MEMBERSHIP to WIFT+ ($199.00 Value).
SILVER SCREEN — SECOND RUNNER-UP
The 2nd place prize deemed by the panel of competition judges will be awarded the 'Silver Screen' title and the Writers' Block Crystal Award with an option and purchase agreement for Two Hundred and Fifty Canadian Dollars (CAD $250). FREE 1YR MEMBERSHIP to WIFT+ ($199.00 Value).
THE TOP 13
The subsequent top 10 screenplays will be awarded as 'Finalists' with additional prize packs (TBA).
Canadian Short

Contact
Toronto, ON
Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com
Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN
Report Card |
||
Overall: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Professionalism: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Feedback: |
![]() ![]() ![]() ![]() |
(4.2/5.0) |
Signficance: |
![]() ![]() ![]() ![]() ![]() |
(4.3/5.0) |
Report Cards: |
|
|
Have you entered?
Submit a Report card
|
Categories
Contest Comments
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Canadian Short Screenplay Competition

Contact
Toronto, ON
Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com
Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN
Report Card |
||
Overall: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Professionalism: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Feedback: |
![]() ![]() ![]() ![]() |
(4.2/5.0) |
Signficance: |
![]() ![]() ![]() ![]() ![]() |
(4.3/5.0) |
Report Cards: |
|
|
Have you entered?
Submit a Report card
|
Categories
Contest News
MovieBytes Interview:
Screenwriter David Carey
An interview with screenwriter David Carey regarding the Canadian Short Writing Competition.
Q: What's the title of the script you entered in this contest, and what's it about?A: My screenplay is called "No Man's Land". It's about an Irish soldier marooned in no man's land during World War One's battle of the Somme. Nearby, there appears to be a German soldier in the same predicament as he, and over the course of just a few days their conversations turn them from enemies into kindred spirits. Yet, (it can't be that simple) all is not what it seems.
Q: What made you enter this particular contest? Have you entered any other contests with this script? If so, how did you do?A: I found the Canadian Short Screenplay competition by pure chance on an Irish website about the arts, creativecareers.ie. I have never entered a contest before with this script. What made me enter this competition was the open nature of application. Nationality was not a restriction. Most of all however, I entered the competition with the hope of being in the top 3, so my story would be turned from paper into film.
Q: Were you satisfied with the administration of the contest? Did they meet their deadlines? Did you receive all the awards that were promised?A: I entered prior to the deadline, if I recall rightly it was on the 11th of November, seeing as that was Armistice Day, and it fell upon the time that I had completed the script to my liking. I received payment as promised. As of yet the script has not been produced into a film, I am hoping that the production of my screenplay into film would come about this summer. Winning is great, but seeing actors speak the words is the ultimate goal.
Q: How long did it take you to write the script? Did you write an outline beforehand? How many drafts did you write?A: I had originally written the script with the intention of animating it. Then I discovered I had neither the time nor talent to produce what I had envisaged, as I had a clear idea what it would look like and it would have taken probably a year to produce it to that standard. So I shelved the script along with many other works in progress, until I found a chance to use it in the competition. I studied online facts about WW1, trawling through hundreds of images to assist with the animated film idea, but the core aspect of the story and the first rough draft I wrote in a day. I later rewrote it to fit a live action format once I decided to enter the competition. It took me about three hours max to write it. I knew the story inside out by then. So in the end there was one rough draft and the polished final.
Q: What kind of software did you use to write the script, if any? What other kinds of writing software do you use?A: I wrote the submitted script with celtx. I downloaded the software the day I wrote the script. I use basic word software most of the time for novels, but since celtx was so quick and helpful, I've used it ever since.
Q: Do you write every day? How many hours per day?A: I wish I had the time to write every day. At present I'm studying 3D animation, something that eats up a day in the blink of an eye. When I have some time set aside I write, a lot, perhaps too much. Last Christmas I had two weeks free and I wrote for probably twelve hours or more a day. I would do that every day if I could, although my fingers may say differently after they drop off.
Q: Do you ever get writer's block? If so, how do you deal with that?A: I rarely get writer's block. I'm lucky I guess, yet it's perhaps because I'm free to write what I want, due to the fact that I'm an amateur aspiring to be more. If I do hit a wall, or feel the writing is getting stale, I go for a walk in the countryside. Often it's on walks that I write in my head most of all, and I simply return to the computer to note it all down.
Q: What's your background? Have you written any other screenplays or television scripts?A: My background is not necessarily a literary one, yet I have a Dip in Classical Animation, and have spent my entire life creating comics, cartoon strips, illustrated storybooks, writing novels and animating short films. All of which I have produced as an amateur. I have the view that in life one has to sometimes do every single aspect of what they wish to produce, so that's why I'm studying 3D animation. If my work does not get the thumbs up from busy editors, then it's up to me to be the writer, director and animator. The CSSC was effectively the first time my work was given recognition in an official manner, but I know there are thousands of talented people out there in the same situation as myself. We write because we love it.
Q: Do you live in Los Angeles? If not, do you have any plans to move there?A: Well, I live in Ireland, so no, I have not been to LA, except that stopover flight to LAX, being frisked by a rotund security guard. But he was a real gentleman. I would move anywhere to pursue a career in writing. Yet I think where I live now has been a great inspiration to creativity. The more I travel the more I appreciate Ireland for the simple things.
Q: What's next? Are you working on a new script?A: I am currently studying animation with AnimationMentor.Com, an online 3D animation school with mentors from the top of the industry. Such studios as Disney, Pixar, Dreamworks, ILM...the list goes on, are the day jobs of the mentors. It's eye opening but worth the sweat and tears. Regarding writing, I am writing a novel in the little spare time I have. I will complete my course in December and I hope to enter the tough world of Animation and gain more opportunities to write through such a career. Ultimately if I do not get scripts or novels taken up by the powers that be, I will merge my animation and writing into a creative hybrid.
Posted Tuesday, June 1, 2010
Canadian Short Screenplay Competition

Contact
Toronto, ON
Web:
http://thecssc.ca
Email:
cssc@funrepublicpictures.com
Contact: David Cormican, Founder
MovieBytes Interview: DAVID CORMICAN
Report Card |
||
Overall: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Professionalism: |
![]() ![]() ![]() ![]() ![]() |
(4.6/5.0) |
Feedback: |
![]() ![]() ![]() ![]() |
(4.2/5.0) |
Signficance: |
![]() ![]() ![]() ![]() ![]() |
(4.3/5.0) |
Report Cards: |
|
|
Have you entered?
Submit a Report card
|
Categories
Submit Report Card
You must login to read or submit report cards.
First-time user? Register now to receive FREE email contest updates, news, results, deadline reminders and more. Rest assured, information submitted here is held in strict confidence. MovieBytes never sells or in any way distributes email names or addresses. We promise!