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[Fresh Voices]

Diverse Voices presented by WeScreenplay

Diverse Voices presented by WeScreenplay

Contact

Los Angeles, CA 90025

Web: Click here
Email: support@wescreenplay.com

Contact: Mark , Director of Contests

Report Card

Overall: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.7/5.0)
Professionalism: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.3/5.0)
Feedback: 4 stars4 stars4 stars4 stars (3.8/5.0)
Signficance: 4 stars4 stars4 stars4 stars (4.1/5.0)
Report Cards: 25    
Have you entered?
Please submit a Report card.

Categories

Objective

MISSION - To provide a platform focused on promoting and encouraging diverse voices and stories. We're looking for writing from perspectives – through the author or characters – that are underrepresented in Hollywood.

GIVING BACK - For every entry, we are donating $3 to Books For Kids to help children from all starts in life have a chance to become storytellers. Books for Kids' mission is "to promote literacy among all children with a special emphasis on low-income and at-risk preschool aged children."

PROMISE - We promise to be transparent and fair by giving all writers TWO sets of scores with each entry. All finalist scripts will receive four sets of scores before we select a winner to limit subjectivity and promote the best writing.

EXPOSURE - Winning scripts will not only receive development notes and cash prizes, but the winner will be sent to two dozen production and management companies. We want to see these stories told!

***ALL FINALISTS: All finalists will be asked to answer in about 250 words how their voice, experience, or story represents a new and diverse perspective for Hollywood. WeScreenplay is specifically looking to encourage and promote underrepresented stories and writers.

The contest is looking to encourage and promote either:

1.) Writers who have been shown to be under-represented by the WGA diversity report: minority writers, women writers, and writers over 40.

or

2.) Stories starring characters that are generally untold because of the misconception that they don't perform well: minorities, women (especially in traditionally "male" roles), women over 40, LGBTQ members, senior citizens, faith-driven characters, or any stories that don't appear on the normal studio slate.

If a script or writer hits either of these two categories, they qualify. We will consider all scripts and stories, but once the finalists are announced, those who have made it to that level will be asked to answer: "How does your voice, experience, characters, or story represent a new and diverse perspective for Hollywood?" As long as that question can be answered in a way that fits in one of the above categories, the script will be considered to win the Grand Prize.

Deadline/Entry Fees

Expired. Previous Deadline: 10/15/2017

WinningScripts Pro $5 Off Coupon

Notification: Semi-Finalists - May 15th, 2017. Finalists - June 15th, 2017. Winners - July 15th, 2017.

Rules

Please see https://www.wescreenplay.com/contests/diverse-voices for full list of updated rules.

Awards

In the first season the Television Winner was signed by Heroes and Villains and the Feature Winner optioned a script to No Label Productions.

Total cash value of over $5,000.

GRAND PRIZE:
  • $1,000 Cash Prize
  • 3 Months of Script Development via WeScreenplay
  • Distribution to two dozen managers, agents, and producers
  • Free entrance to any WeScreenplay Contest
HONORABLE MENTIONS (1st Place in each category)
  • 3 Months of Script Development via WeScreenplay Free entrance to WISC '16 or WeTV '16
FINALISTS (top 20)
  • Free entrance to WISC '16 or WeTV '16

Diverse Voices presented by WeScreenplay

Contact

Los Angeles, CA 90025

Web: Click here
Email: support@wescreenplay.com

Contact: Mark , Director of Contests

Report Card

Overall: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.7/5.0)
Professionalism: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.3/5.0)
Feedback: 4 stars4 stars4 stars4 stars (3.8/5.0)
Signficance: 4 stars4 stars4 stars4 stars (4.1/5.0)
Report Cards: 25    
Have you entered?
Please submit a Report card.

Categories

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Diverse Voices presented by WeScreenplay

Contact

Los Angeles, CA 90025

Web: Click here
Email: support@wescreenplay.com

Contact: Mark , Director of Contests

Report Card

Overall: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.7/5.0)
Professionalism: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.3/5.0)
Feedback: 4 stars4 stars4 stars4 stars (3.8/5.0)
Signficance: 4 stars4 stars4 stars4 stars (4.1/5.0)
Report Cards: 25    
Have you entered?
Please submit a Report card.

Categories

Contest News

Interview with Diverse Voices Feature Screenplay Winner Lillian Wang



Lillian Wang was recently named the Feature Screenplay Winner of the 2016 Diverse Voices Screenplay Competition for her script P.O. Box 1142, a story inspired by true, historical events about a Jewish interrogator stationed in a U.S. Nazi POW camp who learns that she must extract information from the high-ranking Nazi responsible for the death of her parents. We caught up with Lillian to ask about her script, and her writing process.

Screenwriter Lillian Wang

MovieBytes: Your script is inspired by historical events. What drew you to the material?



Lillian Wang: I am a history buff, so when I first learned about the secret military intelligence facility, codenamed "P.O. Box 1142," on the CBS Sunday Morning show in September 2014, I was very excited and curious. I remember wondering what was going through the minds of these German-born American interrogators as they sat face to face with their mortal enemies who might have been responsible for interning their relatives in a concentration camp. The conflict, the pain, inherent in their emotionally challenging job is what drew me to the subject and inspired the concept for the script.



MovieBytes: Did you fictionalize any of the characters? How did you research the story?



LW: I fictionalized all the characters. My research entailed reading a lot of articles and books, as well as the transcripts of interrogations at similar secret POW camps to ensure authenticity. I also immersed myself as much as I could in that time period by watching a lot of programs about World War II and reading stories of Jewish Holocaust survivors. I found myself going into a pretty dark place in order to write this script. So after I finished writing the last draft, I literally needed to take a break and put it away to focus on other projects.



MovieBytes: How do you think your personal background informed the choices you made in writing this script?



LW: As a writer, my goal is to delve deeply into the human experience to find a universality. I firmly believe that once you dig below the surface differences, we are all human beings. And all human beings want the same things at our core. We want to love and be loved. We want to be safe. We want our loved ones to be safe. We want to fit in. We want to feel that what we do with our lives has meaning. At its core, this is what P.O. Box 1142 is about.



In exploring the universal themes through my characters in P.O. Box 1142, I drew from my own experiences as a first-generation, Taiwanese-American woman. My experiences have taught me a thing or two about the inner struggles that come from having to always prove myself, to fit in, to live a purposeful life. In this respect, I was able to relate to my protagonist and put myself in her shoes to drive the story.



MovieBytes: What made you choose the Diverse Voices Competition as a destination for the screenplay?



I drew from my own experiences as a first-generation, Taiwanese-American woman. My experiences have taught me a thing or two about the inner struggles that come from having to always prove myself, to fit in, to live a purposeful life.


LW: My primary motivation for choosing Diverse Voices was to get constructive feedback on my screenplay. I had just finished a draft I was happy with, so feedback was critical. The contest is extremely well run with excellent readers who provided thoughtful and thorough feedback. I was also drawn to the diversity aspect of the contest. I believe that diversity enriches stories and the art generally.



MovieBytes: How long did it take you to write the script? Did you outline the story beforehand?



LW: I developed this script while working a full-time job. The actual writing in script format took about six months, but the homework I did prior to the actual writing took about two years. The homework included the research, the character sketches, iterations of the synopsis, and an outline (but not a traditional outline; it was more of a story timeline). The character development was the most critical component for me. I was able to get to a point where I knew my characters so well that my characters started making some decisions for themselves in the story, and the story began to unfold organically. I had never experienced this before in my writing; that was when I knew that my characters were truly driving the story.



MovieBytes: Have you gone to film school or studied screenwriting? How have you learned your craft?



LW: I honed my craft through professional screenwriting programs at UCLA and New York University. I also read scripts at Miramax Films in New York and Gold Circle Films in Los Angeles. Watching movies and analyzing scripts also help to improve my craft.



MovieBytes: How do you plan to market the script? Do you consider marketing issues at all when choosing what to write?



LW: I plan to enter the Nicholl Fellowship and Sundance this year, while at the same time proactively seek representation. I plan to also submit to the Black List. Marketing issues don't really drive what I choose to write, stories about acts of courage with unique perspectives do. I write what I feel most passionate about, so it will sustain me through the months of research and writing. That said, I do recognize that writing is also a business. So I aim to write stories with universal themes to appeal to the masses.



MovieBytes: Do you live in Los Angeles? If so (or if not), how important do you think it is to live in L.A. for those pursuing a career as a screenwriter?



LW: I live in the New York area, where there's a vibrant film community. Moreover, with technology today, it matters less where one lives. I believe that a good, compelling story will somehow find its way regardless of where the writer lives.



Updated: 01/26/2017
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Diverse Voices presented by WeScreenplay

Contact

Los Angeles, CA 90025

Web: Click here
Email: support@wescreenplay.com

Contact: Mark , Director of Contests

Report Card

Overall: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.7/5.0)
Professionalism: 4.5 stars4.5 stars4.5 stars4.5 stars4.5 stars (4.3/5.0)
Feedback: 4 stars4 stars4 stars4 stars (3.8/5.0)
Signficance: 4 stars4 stars4 stars4 stars (4.1/5.0)
Report Cards: 25    
Have you entered?
Please submit a Report card.

Categories

Interviews

MovieBytes Interview:Screenwriter J J Hillard

An interview with screenwriter J J Hillard regarding the Diverse Voices Writing Competition.

Updated: 07/20/2016
Contest Winner? Let's talk. If you've finished first, second, or third in the Diverse Voices presented by WeScreenplay, MovieBytes would like to interview you.
Eight Managers. Your Script.
Eight Managers.  Your Script.